The Universal Imagination

The Universal Imagination

The Universal Imagination

By Peter Frisch on Aug 22, 2018 at 10:30 PM in Acting Tidbits

Recently, an actor-friend said to me “You have to use yourself in your work, what else do you have?” Seems logical enough, doesn’t it? But what “self” was he talking about? The defended, habitual self that limits choices, ideas, even perception? Or the searching, curious self that can explore new ways of thinking, feeling, speaking and moving through the creative use of the imagination and the power to believe? As he is a proponent of Method approaches including “Emotional Recall” and “Substitution,” I suspect he meant the former.

But how can we create character when we constantly employ our own limited experience, searching through our baggage to repeat the familiar, our personal cliches? How dare we diminish the writer’s vision by shrinking it to fit in the small box of our own life events! It is only the universal imagination that that enables actors to soar and transform. Learn how to harness that very human gift and there will be no limit to your invention, no end to your joy in the acting process.

Testimonials

"Throughout his work with the PSO he exercised his exceptional taste, knowledge and expertise in both the fields of drama and music. Working closely with Peter was among the most personally enjoyable and rewarding experiences I've had in my long tenure with the (Pittsburgh) Symphony. Whether partnering on selecting repertoire, writing and editing scripts, or brainstorming the complex elements that made these evenings memorable, I always found Peter to be a great co-worker, a warm and compassionate leader, and a man of broad knowledge and impeccable taste. He left a remarkable legacy at the CMU Drama School."
Robert Moir, Vice-President for Artistic Planning
Pittsbugh Symphony Orchestra