The Universal Imagination
Recently, an actor-friend said to me “You have to use yourself in your work, what else do you have?” Seems logical enough, doesn’t it? But what “self” was he talking about? The defended, habitual self that limits choices, ideas, even perception? Or the searching, curious self that can explore new ways of thinking, feeling, speaking and moving through the creative use of the imagination and the power to believe? As he is a proponent of Method approaches including “Emotional Recall” and “Substitution,” I suspect he meant the former.
But how can we create character when we constantly employ our own limited experience, searching through our baggage to repeat the familiar, our personal cliches? How dare we diminish the writer’s vision by shrinking it to fit in the small box of our own life events! It is only the universal imagination that that enables actors to soar and transform. Learn how to harness that very human gift and there will be no limit to your invention, no end to your joy in the acting process.
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"An exceptional man of the theatre. The range of his work is enviable and those with whom he has worked and his achievements speak for themselves. He has demonstrated the highest qualities of direction and producing . He has won the respect of my students for whom the collaboration he led was an unmitigated triumph. He shows the key quality of a modern teacher and artist: the capacity to understand the needs of others, motivate and inspire them and bring a team, working in harmony and to the highest standards, to fruitful and acclaimed success."Ian Brown, Dean of the Faculty of Arts
Queen Margaret University, Scotland
